Speaking of Remon, she and Kanna steal the show. There is something admirable about the cheesiness and homages AnoNatsu has. While I have not watched any of the Onegai works, it is worth pointing out that there are huge similarities: Yamano Remon (Tamura Yukari) is an almost direct copy of Morino Ichigo and some of the locations are a nod to the previous work too. I’d rather see a corny work once in a while than see the same ten melodramatic romance works. I admire its cheesiness it’s honest and proud of it.
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Romance can be as melodramatic as the ef series or cheesy as seen here. If AnoNatsu goes to a cheese shop, it will be hard to differentiate parmesan and the work it is after all a tribute to previous works.
Anyone who enjoys observing the artistic subtle choices of directors and editors will have a fun time watching Ano Natsu.ĪnoNatsu pays homage to the old romance works, especially its parent series: the Onegai franchise. The editing and directing in most episodes are worthy of analysis Kanna’s subtle gestures, like twiddling her hair, is a curious artistic touch. Episode 3’s ending features the leads in a train station leaving the sequence at the end may send Michael Curtiz, the director of the classic film Casablanca, packing. What amazes me is how he puts all those boring, corny romantic scenes and twist it around into something different. Nagai shows his directing skills in AnoNatsu and excels in developing romances. Does this work stop the negative perception of JC Staff? Of course not, but AnoNatsu is undeniably pretty warm, saturated colors blossom everywhere and the summer season seems almost touchable. Its art style is a rehash of AnoHana and yet, I don’t mind it looks too beautiful. Yet, Nagai’s success in AnoHana shows no declining in this work the animation quality does not falter below acceptable levels and sometimes astound me in the most dramatic episodes. I did not expect much from the work at first: anything by JC Staff, especially the art, these days frightens me. Looking through the viewfinder, Kaito looks at the running field from his classroom and sees a girl with red hair, Takatsuki Ichika (Tomatsu Haruka), looking lost his face blushes and we find ourselves watching a silly case of ‘love at first sight.’ Tanigawa Kanna (Ishihara Kaori), a blue-haired Chie from Persona 4, joins to be closer with Kaito while Kitahara Mio (Asumi Kana), a quiet girl, helps out.
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Equipped with various ISO films, he practices cinematography along with his friend, Kirishima Kaito (Shimazaki Nobunaga), who looks awfully a lot like Jintan from AnoHana, is your average geek interested in using an old film camera he found in the attic. In what becomes one of the most entertaining and exciting summers of their lives, Kaito and his friends find that their time spent together is not just about creating a film, but something much more meaningful that will force them to confront their true feelings and each other.ĪnoNatsu is a strange case: a competent JC Staff romance anime, that works as an installment to an old series (the Onegai series), dealing with filmmaking, sci-fi, and summer holidays despite being a Winter 2012 anime.ĭirected by Nagai Tatsuyuki (Ano Hana, Toradora!), this anime is a mix of the new and old conventions of romance anime: love triangles, genre fusion, and more.
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Noticing that Kaito has an interest in the new upperclassmen Ichika Takatsuki, his friend Tetsurou Ishigaki decides to invite her, as well as her friend Remon Yamano, to join them in their movie project. As he proceeds with his normal school life, Kaito and his friends discuss what to do with his camera, finally deciding to make a film with it over their upcoming summer break. Dazed and confused, Kaito wakes up the next morning wondering how he ended up back in his own room with no apparent injuries or any recollection of the night before. Just before succumbing to unconsciousness, a hand reaches down to grab ahold of his own. While testing out his camera on a bridge one summer night, Kaito Kirishima sees a blue light streaking across the sky, only to be blown off the railing seconds later.
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